Try the Humanities Texas Shakespeare Quiz! Readers who answer all sixteen questions correctly will be entered into a drawing to win a copy of Will in the World: How Shakespeare Became Shakespeare by Stephen Greenblatt. Please submit your answers by May 9, 2014, to be eligible for a prize. Take the quiz»
Kid and teen promo videos for the 2014 Mayor’s Summer Reading Challenge are now live on YouTube! Please find them at these links.
Did you know you can get free audiobooks all summer long?
SYNC YA begins May 15 and the list of FREE Young Adult audio books is up on the site: http://www.audiobooksync.com. Each week over the summer, one modern YA audio book is paired with one classic YA audio book, and they are both FREE. Sign up now using your email or smart phone. If you have the Overdrive app, that is a great way to download the FREE books each week and listen to them. You can even import the audiobooks into iTunes after you download them.
SUMMER 2014 SYNC TITLE LINEUP
May 15 – May 21
WARP: THE RELUCTANT ASSASSIN by Eoin Colfer, Narrated by Maxwell Caulfield (Listening Library)
THE TIME MACHINE by H.G. Wells, Narrated by Derek Jacobi (Listening Library)
May 22 – May 28
CRUEL BEAUTY by Rosamund Hodge, Narrated by Elizabeth Knowelden (Harper Audio)
OEDIPUS THE KING by Sophocles, Performed by Michael Sheen and a full cast (Naxos AudioBooks)
May 29 – June 4
CONFESSIONS OF A MURDER SUSPECT by James Patterson and Maxine Paetro, Narrated by Emma Galvin (Hachette Audio)
THE MURDER AT THE VICARAGE by Agatha Christie, Narrated by Richard E. Grant (Harper Audio)
June 5 – June 11
ALL OUR YESTERDAYS by Cristin Terrill, Narrated by Meredith Mitchell (Tantor Audio)
JULIUS CAESAR by William Shakespeare, Performed by Richard Dreyfuss, JoBeth Williams, Stacy Keach, Kelsey Grammer, and a full cast (L.A. Theatre Works)
June 12 – June 18
CODE NAME VERITY by Elizabeth Wein, Narrated by Morven Christie and Lucy Gaskell (Bolinda Audio)
THE HIDING PLACE by Corrie Ten Boom, John Sherrill, Elizabeth Sherrill, Narrated by Bernadette Dunne (christianaudio)
June 19 – June 25
I’D TELL YOU I LOVE YOU, BUT THEN I’D HAVE TO KILL YOU by Ally Carter, Narrated by Renée Raudman (Brilliance Audio)
ANNE OF GREEN GABLES by L.M. Montgomery, Narrated by Colleen Winton (Post Hypnotic Press)
June 26 – July 2
FORGIVE ME, LEONARD PEACOCK by Matthew Quick, Narrated by Noah Galvin (Hachette Audio)
OCTOBER MOURNING: A Song for Matthew Shepard by Lesléa Newman, Narrated by Emily Beresford, Luke Daniels, Tom Parks, Nick Podehl, Kate Rudd, Christina Traister (Brilliance Audio)
July 3 – July 9
TORN FROM TROY by Patrick Bowman, Narrated by Gerard Doyle (Post Hypnotic Press)
PETER AND THE STARCATCHERS by Dave Barry and Ridley Pearson, Narrated by Jim Dale (Brilliance Audio)
July 10 – July 16
CLAUDETTE COLVIN: Twice Toward Justice by Philip Hoose, Narrated by Channie Waites (Brilliance Audio)
WHILE THE WORLD WATCHED by Carolyn Maull McKinstry with Denise George, Narrated by Felicia Bullock (Oasis Audio)
July 17 – July 23
THE CASE OF THE CRYPTIC CRINOLINE by Nancy Springer, Narrated by Katherine Kellgren (Recorded Books)
THE ADVENTURES OF SHERLOCK HOLMES II by Arthur Conan Doyle, Narrated by David Timson (Naxos AudioBooks)
July 24 – July 30
HEADSTRONG by Patrick Link, Performed by Deidrie Henry, Ernie Hudson, Ntare Guma Mbaho Mwine and Scott Wolf (L.A. Theatre Works)
THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE by Robert Louis Stevenson, Narrated by Scott Brick (Tantor Audio)
July 31 – August 6
DIVIDED WE FALL by Trent Reedy, Narrated by Andrew Eiden (Scholastic Audio)
THE RED BADGE OF COURAGE by Stephen Crane, Narrated by Frank Muller (Recorded Books)
August 7 – August 13
LIVING A LIFE THAT MATTERS by Ben Lesser, Narrated by Jonathan Silverman and Ben Lesser (Remembrance Publishing)
THE SHAWL by Cynthia Ozick, Narrated by Yelena Shmulenson (HighBridge Audio)
Check out this list of “100 books that will make you more interesting, more attractive, and sound smart even if you aren’t (yet).
‘Want to sound smart in conversations with grownups or college friends? Make reference to one or two of these books (only if you’ve really read them!), and you will! There are lots of books in the universe, and they’re not all required reading for class, so if you were to read only 100 books as a young adult, reading these would certainly not be a bad idea.”
APRIL 10, 2014, 7:46 PM
Could e-books actually get in the way of reading?
That was the question explored in research presented last week by Heather Ruetschlin Schugar, an associate professor at West Chester University, and her spouse, Jordan T. Schugar, an instructor at the same institution. Speaking at the annual conference of the American Educational Research Association in Philadelphia, the Schugars reported the results of a study in which they asked middle school students to read either traditional printed books or e-books on iPads. The students’ reading comprehension, the researchers found, was higher when they read conventional books.
In a second study looking at students’ use of e-books created with Apple’s iBooks Author software, the Schugars discovered that the young readers often skipped over the text altogether, engaging instead with the books’ interactive visual features.
While their findings are suggestive, they are preliminary and based on small samples of students. More substance can be found in the Schugars’ previous work: for example, a paper they published last year with their colleague Carol A. Smith in the journal The Reading Teacher. In this study, the authors observed teachers and teachers-in-training as they used interactive e-books with children in kindergarten through sixth grade. (The e-books were mobile apps, downloadable from online stores like iTunes.)
While young readers find these digital products very appealing, their multitude of features may diffuse children’s attention, interfering with their comprehension of the text, Ms. Smith and the Schugars found. It seems that the very “richness” of the multimedia environment that e-books provide — heralded as their advantage over printed books — may overwhelm children’s limited working memory, leading them to lose the thread of the narrative or to process the meaning of the story less deeply.
This is especially true of what the authors call some e-books’ “gimmicks and distractions.” In the book “Sir Charlie Stinky Socks and the Really Big Adventure,” for example, children can touch “wiggly woos” to make the creatures emit noise and move around the screen. In another e-book, “Rocket Learns to Read,” a bird flutters and sounds play in the background.
Such flourishes can interrupt the fluency of children’s reading and cause their comprehension to fragment, the authors found. They can also lead children to spend less time reading over all: One study cited by Ms. Smith and the Schugars reported that children spent 43 percent of their e-book engagement time playing games embedded in the e-books rather than reading the text.
By contrast, the authors observed, some e-books offer multimedia features that enhance comprehension. In “Miss Spider’s Tea Party,” for example, children hear the sound of Miss Spider drinking as they read the words “Miss Spider sipped her tea.” In another e-book, “Wild About Books,” sounds of laughter ring out as the reader encounters the line “Hyenas shared jokes with the red-bellied snakes.”
The quality of e-books for children varies wildly, the authors said: “Because the app market allows for the distribution of materials without the rigorous review process that is typical of traditional children’s book publishing, more caution is necessary for choosing high-quality texts.”
They advise parents and teachers to look for e-books that enhance and extend interactions with the text, rather than those that offer only distractions; that promote interactions that are relatively brief rather than time-consuming; that provide supports for making text-based inferences or understanding difficult vocabulary; and that locate interactions on the same page as the text display, rather than on a separate screen. (E-books recommended by the authors are listed below.)
Once the e-books are selected, parents and teachers must also help children use them effectively, Ms. Smith and the Schugars said. This can include familiarizing children with the basics of the device. Although adults may assume that their little “digital natives” will figure out the gadgets themselves, the researchers have found that children often need adult guidance in operating e-readers.
Parents and teachers should also help children in transferring what they know about print reading to e-reading. Children may not automatically apply reading skills they have learned on traditional books to e-books, and these skills, such as identifying the main idea and setting aside unimportant details, are especially crucial when reading e-books because of the profusion of distractions they provide.
Lastly, adults should ensure that children are not overusing e-book features like the electronic dictionary or the “read-to-me” option. Young readers can often benefit from looking up the definition of a word with a click, but doing it too often will disrupt reading fluidity and comprehension. Even without connecting to the dictionary, children are able to glean the meaning of many words from context. Likewise, the read-to-me feature can be useful in decoding a difficult word, but when used too often it discourages children from sounding out words on their own.
Research shows that children often read e-books “with minimal adult involvement,” Ms. Smith and the Schugars said. While we may assume that interactive e-books can entertain children all by themselves, such products require more input from us than books on paper do.
They offer scholarships, too! Hurry to apply today!
Probably the coolest thing I’ve ever seen: